Post by Arjan Hut on Nov 8, 2019 4:26:06 GMT -5
246 The original Couch-film
Related:
30 The original Wiegman film
31 The original Darnell film
(According to the info on Denis Morissette's Photo & Film Blog, the original Couch-film is missing.)
Erasing the Past...Discussions
"On November 22, 1963, Couch, a senior at DTS, was assigned by Channel 8 to film John F. Kennedy’s
fateful Dallas visit, riding in the motorcade a few cars behind the President.
As shots rang out from Texas School Book Depository, he saw the rifle barrel drawn back into the sixth
floor window. Couch was responsible for filming the brief footage of bystanders dropping to the grass at
Dealey Plaza. His eyewitness testimony is documented in the Warren Commission."
(Wheaton College archives, Dr. Mal Couch)
Mr. COUCH - I picked up my camera. As I recall, I had it in my hand, but it was down leaning against my
legs. And I picked it up and made a quick glance at a setting and raised it to my eye. And - uh - you can
see from my film that we were just turning the corner. We start the turn and we turn the corner, and you
can see people running. As I recall, there's a quick glance at the front entrance of the Texas Depository
Book Building. You can see people running and you can see about the first three cars, maybe four, in front
of me as we complete the turn.
And then I took pictures of - uh -a few people on my left and a group, or a sweeping, of the crowd on my
right standing on the corner.
Mr. BELIN - Did you take any pictures of the School Book Depository Building itself?
Mr. COUCH - Not of the south side at the moment.
After we went, say, 50 to 75 feet on down elm, uh - we began to hang on because the driver picked
up speed. We got down under the - I think there's three trestles there, three crossings underneath the
- uh - at the very bottom of Elm Street -
Mr. BELIN - Is that what they call the triple-underpass?
Mr. COUCH - Right.
And - uh - I think, as I recall, right after we made the turn on Elm, one or two of the fellows jumped out.
But after we got all the way down underneath the three trestles we finally persuaded the driver - who
wasn't to anxious to stop - to stop and - uh - we all jumped out.
And I ran, I guess it was about 75 yards or a little more back up to the School Depository Building and
took some sweeping pictures of the crowd standing around. I didn't stay there long.
Mr. BELIN - Did you take any pictures of the Depository Building entrance?
Mr. COUCH - No - Uh -
Mr. BELIN - When you came back up there?
Mr. COUCH - Not with determination. I cannot recall at this moment whether some of my pictures I took
when I ran back might have been a sweeping shot of the entrance through a wide angle lens. But not
with determination. I didn't plan to take pictures of it.
Mr. BELIN - Would these shots - these wide angle lens shots, if anyone were standing in front of the
building or leaving the building at that time, would you be able to identify them, or would they be to far
away?
Mr. COUCH - They would be to far away. Possibly if the frames were blown up, one might determine if
someone was standing there - identify someone.
(The testimony of Malcolm Couch, April 1, 1964)
Mal Couch passed away in 2013.
“One thing that impressed me in the days that followed the assassination of President Kennedy,” he told
an interviewer, “was that so many people appeared confused and lost at that moment. They walked
around the city in a daze. They had no connection with life, it seemed. For me, my personal faith in Jesus
Christ and in a God who controls the affairs of men, did not change a bit. In fact, it gained deeper roots.”
(...)
A man of many abilities, Mal Couch was a photographer, radio talk show host and a licensed pilot. Using his
directing and editing skills, he produced The Occult with Hal Lindsay, The Temple with Zola Levitt and
Someone Cares with Charles Colson. He was also a prolific writer, including Inerrancy, Titus and
the Birth of the Nation of Israel. One of his final titles was Going Home: Our Blessed Hope of Heaven and
Eternity, written with his wife, Lacy.
(Wheaton College archives, Dr. Mal Couch)
Related:
30 The original Wiegman film
31 The original Darnell film
(According to the info on Denis Morissette's Photo & Film Blog, the original Couch-film is missing.)
Erasing the Past...Discussions
"On November 22, 1963, Couch, a senior at DTS, was assigned by Channel 8 to film John F. Kennedy’s
fateful Dallas visit, riding in the motorcade a few cars behind the President.
As shots rang out from Texas School Book Depository, he saw the rifle barrel drawn back into the sixth
floor window. Couch was responsible for filming the brief footage of bystanders dropping to the grass at
Dealey Plaza. His eyewitness testimony is documented in the Warren Commission."
(Wheaton College archives, Dr. Mal Couch)
Mr. COUCH - I picked up my camera. As I recall, I had it in my hand, but it was down leaning against my
legs. And I picked it up and made a quick glance at a setting and raised it to my eye. And - uh - you can
see from my film that we were just turning the corner. We start the turn and we turn the corner, and you
can see people running. As I recall, there's a quick glance at the front entrance of the Texas Depository
Book Building. You can see people running and you can see about the first three cars, maybe four, in front
of me as we complete the turn.
And then I took pictures of - uh -a few people on my left and a group, or a sweeping, of the crowd on my
right standing on the corner.
Mr. BELIN - Did you take any pictures of the School Book Depository Building itself?
Mr. COUCH - Not of the south side at the moment.
After we went, say, 50 to 75 feet on down elm, uh - we began to hang on because the driver picked
up speed. We got down under the - I think there's three trestles there, three crossings underneath the
- uh - at the very bottom of Elm Street -
Mr. BELIN - Is that what they call the triple-underpass?
Mr. COUCH - Right.
And - uh - I think, as I recall, right after we made the turn on Elm, one or two of the fellows jumped out.
But after we got all the way down underneath the three trestles we finally persuaded the driver - who
wasn't to anxious to stop - to stop and - uh - we all jumped out.
And I ran, I guess it was about 75 yards or a little more back up to the School Depository Building and
took some sweeping pictures of the crowd standing around. I didn't stay there long.
Mr. BELIN - Did you take any pictures of the Depository Building entrance?
Mr. COUCH - No - Uh -
Mr. BELIN - When you came back up there?
Mr. COUCH - Not with determination. I cannot recall at this moment whether some of my pictures I took
when I ran back might have been a sweeping shot of the entrance through a wide angle lens. But not
with determination. I didn't plan to take pictures of it.
Mr. BELIN - Would these shots - these wide angle lens shots, if anyone were standing in front of the
building or leaving the building at that time, would you be able to identify them, or would they be to far
away?
Mr. COUCH - They would be to far away. Possibly if the frames were blown up, one might determine if
someone was standing there - identify someone.
(The testimony of Malcolm Couch, April 1, 1964)
Mal Couch passed away in 2013.
“One thing that impressed me in the days that followed the assassination of President Kennedy,” he told
an interviewer, “was that so many people appeared confused and lost at that moment. They walked
around the city in a daze. They had no connection with life, it seemed. For me, my personal faith in Jesus
Christ and in a God who controls the affairs of men, did not change a bit. In fact, it gained deeper roots.”
(...)
A man of many abilities, Mal Couch was a photographer, radio talk show host and a licensed pilot. Using his
directing and editing skills, he produced The Occult with Hal Lindsay, The Temple with Zola Levitt and
Someone Cares with Charles Colson. He was also a prolific writer, including Inerrancy, Titus and
the Birth of the Nation of Israel. One of his final titles was Going Home: Our Blessed Hope of Heaven and
Eternity, written with his wife, Lacy.
(Wheaton College archives, Dr. Mal Couch)